Ceramic Dictionary: I

IMPRESSING

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Impressing is to indent a design or textures into soft clay by pressing different shaped objects into it. Materials with strong textures, such as canvas, or objects like rings, coins, crosses etc. can be used.

IMPRESSING TOOLS: Roulette wheel and stamps are the most popular and both can be bought or you can make them. They can be in wood, clay left to dry and clay fired and be with or without a handle. The design can protrude outwards or inwards and when pressed into the clay, the indent will be the reverse.

STAMPS: If you are going to use a design continuously, make it in wood or bisque. Whatever size or shape you make your stamp, the handle must be big enough to hold comfortably while pressing face downwards into the clay. If large, make it with a handle attached to the back, like a T upside down.

ROULETTE WHEEL: the design goes round the outside of a tube that can be clay or wood and can be rolled by hand or can have a handle attached to it. To do this, a hole must be made through the center of the tube, a piece of metal passed through it and attached to a handle.

Working sequence:
a) Work out the texture or design you want to reproduce, taking into account that it is going to be used several times on the same piece of clay to form a repeated pattern.
b) Roll out a solid tube of clay of the required size in width and length for your design.
c) For a stamp, carve out a design at one or both ends of the tube.
d) If it is a tube that is going to be rolled, carve out the pattern and calculate that the pattern fits exactly into the circumference, so it repeats correctly. If a handle is needed, cut a hole through the center.
e) Leave the clay to dry. It can be used when it is dry but for large quantizes and continuous use, fire it.
f) Roll or stamp the pattern over soft clay to indent it.

Photo by JOSEP MATÉS

See Impressing from Sukothai

IN-GLAZE

ca: SOBRE - ESMALT

es: SOBRE-ESMALTE

In-glaze is when a glaze-base is put on to bisque, then decorated with colors; the two are fired and integrate together. This is the method used for luster and the Majolica method. See: Majolica Method

INCISING

ca: INCISIÓ

es: INCISIÓN

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Incising is to engrave a design by cutting or scraping into the clay surface at any stage of drying, from soft to bone dry. With hard bone-dry clay you will obtain more precise lines, but you have to be very careful that it does not break. After incising, clean off the loose bits with a strong brush, then smooth the edges with a soft damp brush. Incising is useful for making textures.

Note: Incising becomes sprigging when it goes through the clay, leaving a hole.

Incising soft clay:
a) Using tools with pointed heads of different sizes you can free-handedly indent a design into the clay as shown in the above illustration.
b) To mark a design onto soft clay, first draw the design on thin paper, lay it on top of the clay and with a very thin piece of wood with a slightly rounded head, go over the design, slightly forcing it, so that it leaves the outlines indented into the clay. You can also pounce with a needle, going straight through the paper into the clay. Then, following the lines, incise your design into the clay.

Incising dry clay:
a) To mark your design onto dry clay, place a carbon paper on top of the clay, then your design on top of it and draw over the outline so it is marked onto the clay. Alternatively, pounce the design and mark it on to clay with coal dust or industrial talcum powder.
b) When the outlines are marked on, scratch and scrape off the parts needed for your design, brush off all the small bits of clay, then pass a damp, soft brush over it to smooth off the edges.

Decorating incising: The clay can be covered with transparent glaze, which when fired accentuates the incisions, or the incisions can be filled with glaze colors or colored clays. When full, the surface is then leveled out and cleaned using a flexible tool, like a kidney, so only the incisions have color.

INLAYING - Colored clay and slip

ca: INCRUSTACIÓ – Argila de colors i barbutina

es: INCRUSTACIÓN – ARCILLA DE COLORES Y BARBOTINA

Inlay is to force different colored clays or slips into clay of another color. Clay can be pressed in and slips added to fill up spaces which have been incised into clay. There are different colored clays that can be bought or you can make them up by adding stains. With colored clays, always use the same make and with slips make them up using the same clay. In both methods, the design is prepared on a flat surface and then the shape is usually formed using a mold.

INLAYING CLAY OR SLIP:
1) Roll out the clay that is going to be the background for the design and then leave it until it is leather hard.
2) Incise or dig out your design, clean and smooth off any loose clay on the outside, then score and dampen the parts of the design.
3) (a) Fill the spaces up with the different colored clays or the slip.
4) When dry enough, scrape off the surplus colors to the height of the background and you can see your inlaid design.

INLAYING CLAYS, CUT OUT DESIGNS:

1) (b) Roll out different colored clays all to the same height and cut out the required shapes.
2) Lay them on to a flat porous surface to form your design
3) (c) Roll out the clay for the background and lay it over them.
4) (d) With a rolling pin, gently roll over the clay until it flattens and is completely integrated with the design.
5) (e) To turn it the right way up, lay another piece of wood on top, like a sandwich, and turn it over.
6) The imbedded sides will have to be sponged to leave a smooth surface.
7) If it is a flat design, the outer edges will have to be cut to the shape required.
8) (f) There are many instruments that can be used with this method, the following are three of them biscuit cutters, press molds,hand tile cutters, and they are made in different shapes and sizes.

INSULATE

ca: AÏLLAR

es: AISLAR

Insulate is to install materials that prevent or reduce the transference of electricity, heat, or sound.

IRON OXIDE

ca: ÒXID DE FERRO

es: ÓXIDO DE HIERRO

Iron oxide are chemical compounds composed of iron and oxygen.

Iron oxides and oxide-hydroxides are widespread in nature, play an important role in many geological and biological processes, and are widely utilized by humans,

Some iron oxides are widely used in ceramics applications, particularly in glazing Many metal oxides provide the colors in glazes after being fired at high temperatures.
Iron oxides yield pigments (see iron oxide pigment). Natural iron oxides pigments are
called ochres. Many classic paint colors, such as raw and burnt siennas and umbers, are iron-oxide pigments. These pigments have been used in art since the earliest prehistoric art known, the cave paintings at Lascaux and nearby sites. Iron (III) oxide is typically used.
Link to Wikipedia Iron oxides